I work across painting, object-making, and installation — forms that share a preoccupation with the body's relationship to the natural world. The work emerges from sustained attention: to material, to sensation, to the kinds of knowing that resist language.
My practice is rooted in the idea that the sacred and the sensory are not opposites. A surface can hold both weight and light. An object can be both functional and devotional. These tensions are not problems to resolve but conditions to inhabit.
I am based between [City] and [City], and work from a studio that is also, by necessity, a domestic space — a fact that has shaped everything.